About this session
This panel pulls back the curtain on how placements actually happen, what editors and creative directors are really listening for, and where the genre is heading next.
Moderator
Aneta is Creative Director at Elephant Music, a production studio known for its experimental music. She’s crafted bespoke compositions for award-winning campaigns including The Matrix Resurrections, Anora, House of the Dragon and Riyadh Season. Her trailer and sync work spans film, TV and games, from Netflix’s Peaky Blinders, Ridley Scott’s Dog Stars, NEON’s Keeper to games franchises including Fortnite, Valorant and Rainbow Six Siege.
With experience spanning production music, publishing, music supervision, composing for sync and DJing, she brings a fresh and versatile approach to the industry. Beyond her creative direction role, Aneta is also an active producer and composer in her own right, and regularly curates and moderates industry panels, including sync and games-focused sessions at Reeperbahn Festival, The Great Escape and Ditto x.
Panellists
Autumn Rae Moore is a trailer editor with over a decade of experience crafting campaigns for film, television and games. She began her career in Los Angeles before relocating to London to join Create, one of the entertainment industry’s leading marketing studios, where she has been based for the past five years. Working across theatrical trailers, TV campaigns and digital advertising for major streaming and studio clients, Autumn’s approach is rooted in the relationship between music and emotion, believing that the right track defines how an audience feels about a scene before seeing a frame.
Archie began his career as a creative producer at Ignition Creative, before joining X/AV, where he was brought on to launch their London office. He is now the Associate Creative Director at X/AV London, where he collaborates with a variety of clients in film, TV & streaming, to produce industry-leading trailers. Most recently for titles such as Peaky Blinders: The Immortal Man, The Death of Bunny Munro, Legends, and The Day of the Jackal.
After starting out in an indie band and then composing production music, Dan founded trailer music catalog Gothic Storm Music in 2010, which now has over 1,000 albums across its sub-labels. Recent trailer placements include Odyssey and Disclosure Day.
In 2018, he wrote A Composer’s Guide to Library Music, which led to a thriving Facebook group of the same name, with 12k+ members and supported by the US-based Production Music Association (PMA).
In 2026, he launched TrailerMusic.Report, a news site created to share information about trailers, music and the people behind them.
Matteo Tronchin is an award winning composer based in London who specialises in writing music for film, TV and trailers.
His credits include the feature length documentary ‘The Program’, which premiered on Apple TV and Amazon Prime, and trailers such as Star Wars ‘Force | Ahsoka | Disney+’, ‘ANORA - Official Trailer #2’, ‘Hokum - Official Trailer’ and ‘BEEF: Season 2 | Official Trailer | Netflix’.
Matteo had his music recorded live in Abbey Road and Air Studios for projects including the student BAFTA-winning documentary ‘Happy - The Elephant In The Courtroom’ and the Best British Short Animation BAFTA-winning film ‘Crab Day’.
In 2024 Matteo won two Production Music Awards for Best Drama Trailer Production Music Track and Best Fantasy Trailer Production Music Track.
In 2025 Matteo contributed music to two trailers that won at the Clio Entertainment Awards: Integrated Campaign (Theatrical) - Anora / NEON / Silver Award, and Audio Visual: Trailer (Games) - Mafia: The Old Country - Game Footage Trailer / 2K / Bronze Award.