Panels, fireside chats, 1-2-1 networking and a closing live concert — across two rooms. Doors 11:00, programme from 12:00.
EartH, Dalston · Wednesday 23 September 2026 · Doors 11:00 · Programme from 12:00. Draft schedule — subject to change. Panellists to be announced.
Panels, fireside chats and a closing live concert. One continuous programme across the day on the main stage.
A spotlight panel celebrating women composers working across film, TV, games and concert music. Individual stories, career paths, breakthroughs, and what still needs to change.
How composers actually earn today — from advertising, library and sync work to games, trailers and royalties. What skills matter now, how client relationships have shifted, and where the money is.
Curated by Headliner. The headline tech session of the day — a deep-dive into the tools, platforms and innovations reshaping how composers work: AI, spatial audio, generative music, new DAW paradigms, and what's coming next. Includes audience Q&A.
How games scoring has evolved from looping BGM to sophisticated adaptive audio design. New tools, new studio expectations, the rise of indie games, and writing music that responds to player choices in real time.
No PR spin, no hedging. A direct conversation about what AI can and can't do, where it's genuinely threatening composer livelihoods, and where human creativity still wins. Expect strong opinions and audience debate.
The closing session of the panels. An intimate, in-depth conversation with a major award-winning composer — their journey, their process, defining projects, and their take on where the art form is heading. Followed by audience Q&A.
The day closes with a full evening concert programme. Performers to be announced.
Hour-long 1-2-1 networking blocks — short, structured meetings with the people who commission and represent composers. Confirmed participants are listed below; more to be announced.
Participants to be announced.