About this session
Featuring 14 of the world’s leading production music libraries. Whether you’re looking to get signed, pitch your catalogue or understand what libraries are actually looking for — this is your room.
Who you will meet
Caspar Kedros is SVP, Global Sync Operations at BMG, overseeing the company’s global sync licensing and production music businesses. A former producer, composer and co-founder of Altitude Music, Caspar has spent more than 30 years working across music creation, publishing, production music and sync licensing. He currently oversees a group producing 400+ albums a year, and played a key role in developing BMG’s Sync+ strategy and sync technology platforms. Passionate about supporting the next generation of creators, Caspar mentors composers on navigating sync, publishing, rights and building sustainable careers in music for media.
With a background rooted in music creation and performance, Axel transitioned his creative instincts into the sync world, where he now works at Warner Chappell. Managing projects across both production music and commercial sync, he places music in everything from blockbuster games and indie films to prime-time TV and global ad campaigns. Having previously driven success at Audio Network pitching and promoting their catalogue, Axel brings insider knowledge on navigating the modern industry and getting music heard by the right people.
Arun Sethi is a composer and executive producer with nearly 20 years in production library music. Co-founder of WotNot Music Library, an award-winning electronic music catalogue of 1,200+ tracks used in ads and TV shows across major networks, he has also served as Senior Producer and Head of Production & Operations at Cavendish Music. Arun has produced over 400 albums and mentored hundreds of composers into their first library placements, with a particular focus on underground electronic and dance producers. That dual perspective, as curator and working composer, is what he brings to mentoring at ComposerCon.
Maura Duval Griffin is a Founding Partner and General Manager at Eternal Music Group, a boutique catalogue specialising in custom and original music production and sync licensing for trailers, advertising and film & TV. With 15+ years as a trailer music supervisor, including several years leading creative pitching and custom production at Audiomachine, Maura now leads a team of creatives, composers and independent artists at Eternal building a fresh sync catalogue from the ground up. Eternal’s recent work spans One Battle After Another, Harry Potter, Disclosure Day and Valorant, plus brand spots for Xbox, Balenciaga and ESPN.
Jason is Senior Business Development Manager at De Wolfe Music, one of the longest-standing publishers in the world, specialising in production music. After a career in advertising with various creative agencies and start-ups, Jason moved into music and sync, starting his own bespoke production agency in 2018 and delivering campaign work for brands including Nike, Adidas and Louis Vuitton. At De Wolfe, Jason heads up advertising and branded client sync work and oversees A&R and production of new commercial music for the label, regularly identifying new composer and writer talent.
Nick Leventis is Head of Music & Creative Strategy at Felt Music, a London-based music supervision and production company working across TV, film, advertising and broadcast. A producer, composer and creative lead, Nick works closely with composers and artists on briefs, repertoire development and creative direction, while overseeing catalogue growth and commercial development. He has helped shape Felt’s contemporary catalogue and leads Blurred Recordings, Felt’s artist-focused label. Alongside his work at Felt, Nick is a producer and artist under the name ‘Leventis’, giving him experience from both sides of the composer and artist relationship.
Jenny has spent over 25 years in the production music industry. In that time she has represented over 30 libraries from across the globe and commissioned and overseen the recording and release of over 250 albums for the JW Media Music catalogues. She has worked with partner companies on new technology, from royalty software to industry search sites, and as MD of JW Media Music has focused on bringing diverse talent into the industry, ensuring age, gender or background is no barrier to working in production music. Jenny continues to serve on the Library Committees for the MPA and MCPS.
Aneta is Creative Director at Elephant Music, a production studio known for its experimental music. She’s crafted bespoke compositions for award-winning campaigns including The Matrix Resurrections, Anora, House of the Dragon and Riyadh Season, with trailer and sync work spanning Netflix’s Peaky Blinders, Ridley Scott’s Dog Stars and games franchises including Fortnite and Valorant. With experience across production music, publishing, music supervision, composing for sync and DJing, she brings a versatile approach to the industry, and regularly curates and moderates industry panels including sync and games-focused sessions at Reeperbahn Festival and The Great Escape.
Tom has spent nearly two decades in the trailer and sync industry, building an extensive background in production, music supervision and talent management. Alongside heading up the UK division of LA-based trailer music company Audiomachine for the past 12 years, Tom previously worked agency side at Create Advertising and The Editpool, producing worldwide film advertising campaigns for the likes of Disney, Universal, Warner Bros and HBO. He is also the co-founder of the upcoming podcast series The Composer Connection, featuring insights from some of the industry’s leading composers.
Jay is a music industry executive with over 25 years of A&R experience at leading record labels and music publishers, including EMI, Jive Records and Universal Music. Having worked with some of the world’s most successful artists, he now serves as Global Head of A&R and VP of Artist Services at Audio Network, where he leads global roster development and artist services for one of the world’s largest production music companies.
Leah Clarke is an album producer for London Sync, shaping albums from cinematic orchestral to indie pop. A classically trained opera singer with a Master’s in Film Composition from the Royal College of Music, and a musical background rooted in South Africa, Leah brings a range of expertise to producing. Her albums have secured major placements in BBC promos, ad campaigns, ITV shows and more.
Tammy Tinawi wears multiple hats at Cavendish Music, the UK’s largest independent production music library, straddling both production and sync. She joined in 2016, broadening the company’s client base across advertising, TV, film and trailers. Recent highlights include Music + Sound Awards for Best TV Advertising Sync (Adidas) and Best Television Sync (Amazon). As a producer, she draws on a close network of composers and songwriters to create sync-ready tracks. She came to Cavendish via a career in sync and music supervision, cutting her teeth at The Sound Works and Big Sync Music.
Jules founded Evolving Sound in 2016 and has since established it as one of the industry’s leading providers of custom and catalogue music for film, streaming and video-game marketing. Its international roster of composers specialises in premium, cinematic work across a range of genres, with recent placements including The Super Mario Galaxy Movie, The Mandalorian and Grogu, and Avatar: Fire and Ash. Before founding Evolving Sound, Jules spent 25 years as a composer, producer and remixer, spanning major label dance remixes, EDM production, commercials and trailers, and ran a London-based deep-house record label in the 1990s.
Simon Robinson is Co-Founder and CEO of OUT/STANDARD, an independent production music company built around original, culturally relevant music created by real artists and composers. Since launching the business, Simon has helped grow OUT/STANDARD from the ground up, scaling its catalogue to more than 6,000 tracks and developing a global network of partners, while keeping a strong focus on high-quality production and accessible licensing. With more than 20 years working across music, brands and culture, he brings a deep understanding of sync, music rights and the relationship between composers, creative teams and commercial clients.